From Cuba, modern chaos

It may not be revolutionary, but Cuba’s modern dance company is keeping up with the times. More than half a cen tury old, the Danza Contemporanea de Cuba is making its first visit to the US.The two works shown opening night Tuesday are more contemporary than we’d think.

The opener, “Mambo 3XXI,” by company member George Céspedes, alternates sections of awkward, ambivalent encounters and flat-out, super-showy dancing.

The large cast, all in undershirts, enters in silence one by one. The dancers stare balefully at each other, but things quickly veer away from the usual angst to become a driving line dance.

The mood changes back as they approach one another in silence to clasp hands, mismatch and try again with another partner. Two women take off their tops and, wearing strapless bras, dance a loping mambo.

Finally, “Mambo 3XXI” explodes into a finale, in which the dancers come and go in acrobatic leaps and kicks. Each individual section is solidly crafted, but the piece is too schizophrenic to add up — it doesn’t know whether it wants to be modern dance or Riverdance.

“Casi-Casa,” from Swedish choreographer Mats Ek, is a remix of two of Ek’s previous works. It’s all about angst — this time domestic. The curtain rises on three simple props that suggest a home: a door, a stove and a chair with a man sitting in it, staring at the glow of an offstage TV.

There are some good moments, particularly a vigorous dance for five women and their vacuums, or an enigmatic male trio. One man departs, and it seems the other two could be more than roommates.

But a duet, beginning with a woman knocking on a stranger’s door, alternates between tenderness and crass groping. A baby taken out of a smoking oven by its mother is just gross. Ek can do good work, but he’s 66 going on 12.

Still, the rare opportunity to see these strong dancers more than outweighs any reservations about the dances.

Cuba’s Buena Vista Social Club to Play U.S., Europe

HAVANA (Reuters) – Cuba’s Buena Vista Social Club will make its first appearance in the United States since 2003, with concerts this week in New York, Chicago and Los Angeles before heading off to Europe, a band spokesman said on Monday.www.cubaluxuryrent.com

The Cuban band will be the latest of Cuba’s entertainment exports to the United States as cultural contacts between Cuba and the United States thaw under President Barack Obama.

Trombonist and band director Jesus “Aguaje” Ramos said the group was looking forward to playing again for American fans, who embraced the band despite many years of hostile U.S.-Cuban relations.

“For us, it’s beautiful, because we left behind a public interested in Cuban music — a public loyal to son, to danzon, to bolero,” he said, referring to the group’s musical styles.

The band of aging Cuban musical legends was rescued from oblivion by U.S. musician Ry Cooder, who went to Havana in 1996 to produce what became their self-titled Grammy Award-winning album, “Buena Vista Social Club.”

A 1999 documentary by the same name, directed by Germany’s Wim Wenders, was nominated for an Academy Award.

In the intervening years, some of the best-known members of the group have died, including singers Compay Segundo, Ibrahim Ferrer and Pio Leiva, pianist Ruben Gonzalez and bass player Orlando “Cachaito” Lopez.

Others still alive, including singer Omara Portuondo and percussionist Amadito Valdes, will not be on the tour.

Original members laudist Barbarito Torres, trumpeter Manuel “Guajiro” Mirabal and guitarist Manuel Galban are still with the band and will perform.

The U.S. play dates include June 24 at Prospect Park in the New York City borough of Brooklyn; June 26 at the Ravinia Festival in Chicago; and June 27 at the Hollywood Bowl in Los Angeles.

The band then goes to Europe, where it will play 25 concerts.

www.cubaluxuryrent.com – Cuba luxury holiday

Cuba: Diversity and Tourism

DTCuba:

Cuba, a major tourist destination in the Caribbean region, offers a wide range of options, ranging from exuberant nature to its centuries-old culture, history and traditions.

Traditional sun and beach options are a key element in Cuba’s tourism industry.

The Cuban archipelago also offers more than 70,000 square kilometers of insular platform and some 5,000 kilometers of coasts, which are bathed by the Atlantic Ocean and the Caribbean Sea.

In addition, nearly 6,500 varieties of fish, crustaceans, sponges and mollusks, and an 850-kilometer coral reef in perfect state of preservation turn the island into one of the best-preserved underwater ecosystems in the region.

The archipelago’s geographic location turns Cuba into a corridor for migratory birds that travel long distances from North America to South America and vice versa.

A large number of birds come to Cuba in winter and nest near rivers, lagoons and dams, as well as on the keys, turning the island nation into an excellent place for bird watching.

Natural and biosphere reserves, natural landscapes, national parks and protected areas create a varied offer characterized by its excellent preservation and unique features in the region.

The Caribbean Island offers architectural assets brought from Spain and carrying a strong European influence from the years that followed the colonization period.

Havana’s historic heart, declared Humankind’s Heritage by the United Nations Educational, Scientific and Cultural Organization (UNESCO), holds most of the city’s museums, churches, cultural centers and buildings from the Spanish colonial period. Old Havana covers an area of 4.5 square kilometers and has a rich colonial architecture and centuries-old customs and traditions.

For those who want to stay in an environment full of centuries-old memories, the company Habaguanex S.A. runs a broad network of hotels in Old Havana.

The hotels housed in centuries-old buildings in Old Havana are highly demanded by foreign tourists looking for a special environment during their stay in the island nation.

Cuba has about 120 art galleries, antique shops and art exhibition halls, in addition to nearly 260 museums and more than 80 theaters, which are excellent options for those looking for more than beach and sun in the Caribbean Island.

www.cubaluxuryrent.com – Luxury vacation rental in Havana, Cuba

Cuba slow to ease its grip on shopkeepers

FT.com:

Three years after Cuba’s Rebel Youth newspaper published “The Big Old Swindle” – a scathing series calling for reform of a state-managed retail sector beset by poor management, corruption and abysmal service – debate is still raging over liberalisation. The authorities have yet to act.

Rumours abound in Havana that the state will soon cede control over its thousands of barber shops, cafeterias, bakeries and domestic appliance and car repair businesses, opting to regulate and tax rather than administer, along the lines of the Chinese or Vietnamese model.

Yet the state appears to be doing the opposite, remodelling and opening numerous restaurants, shops and other retail outlets in city after city.

Raúl Castro, president, has insisted that Cuba’s Soviet-style command economy needs fixing. He has hinted that ways must be found to reform the retail sector since taking over from his ailing brother, Fidel Castro, two years ago.

“State companies must be efficient and so must have resources to be so. The rest should adapt to more adequate forms of property given the resources available,” stated a report by the economy ministry last year soon after Mr Castro replaced the minister and his top deputies.

Mr Castro has been short on specifics. However, commentators, economists and analysts propose raising the small number of family businesses and allowing employees to form co-operatives like those long established in agriculture.

There is apparently fierce resistance within the ruling Communist party, especially in the provinces.

“Cuba is not Havana,” a provincial-level party official in eastern Cuba quipped when asked to square the new government-run retail outlets with the idea that the state should get out of the sector.

Pressed, he conceded that the state did not need to run some services, such as every barber shop. But he opposed letting go of larger establishments, such as car repair shops.

“Most cars and trucks in this country are owned by the state,” he said.

A mid-level party cadre who administered eateries in the eastern city of Santiago de Cuba insisted the retail sector’s poor performance was not systemic but subjective. Fixing it was just a matter of improving party discipline, she said.

Cuba’s second city has opened more restaurants, bars, stores and other establishments during the past year than any other.

The administrator, speaking on condition of anonymity, said the province’s new party leader, Lazaro Exposito Canto, had improved the sector. “Since his arrival the retail sector has been completely turned round. It is a matter of caring about the people and being demanding with subordinates,” she said.

The debate has spilled into the pages of Granma, the Communist party daily, which has carried letters to the editor for and against reform. “We have to shake off the stereotype developed over many years that private property is always evil,” González de la Cruz wrote in a recent edition.

“Property, state or private, is valid when it serves a social purpose,” he said.

The opposing view was best expressed in Granma by Guerra González, another correspondent.

“The solution of creating new owners and co-operatives and making current employees into supposed collective owners [in the retail sector] will only lead to uncontrolled free competition and capitalism,” he wrote, adding, “this would represent not only an economic step backward but a political, social and ideological one”.

For the first time since all retail activity – right down to shoe-shine boys – was nationalised in the “revolutionary offensive” of 1968, licences are being handed out to food vendors in the interior who have played cat-and-mouse with police in city streets for decades, saving residents a long walk to state markets.

But that appears to be part of reform already under way in the agriculture sector, where decision-making and food distribution has been decentralised and state lands leased to more than 100,000 farmers.

Authorities, in an apparent concession to popular frustration, are also granting family farms and cooperatives permission to sell a part of what they produce directly using kiosks and horse and bicycle-drawn carts. But not a single state-run retail outlet has been handed over to employees as a co-operative, let alone privatised.

www.bachelorpartycuba.com – Bachelor party in Cuba

Charanga Habanera Cuban orchestra and its fifteen years of fame

Cubanow.net: The Cuban orchestra has been in the people’s preference for 15 years.     “Charanga Habanera emerged in 1988, when young, talented Cuban musicians graduated from Cuban school arts got together to develop a popular music project dating back to the 1940s and 50s, to fulfil a commitment at the Montecarlo Sporting Club.”

In 1994, the director of Cuba magazine asked me to go, somehow immediately, to the recently inaugurated “Palacio de la Salsa,” in the former Copa Room hall of Hotel Habana Riviera. The mission: to report on the excellent musical, dance and
gastronomic project.

Many people went there in those times of crisis, opening of tourism, and legalization of the dollar, after the collapse of Cuba’s commercial partners from East Europe.

The legalization of the foreign currency allowed the population to acquire products in diverse commercial centres emerging at the time, thus having an impact on the country’s socioeconomic conditions, as those with access to the dollar were in better
conditions to face the crisis.

Those were moments of happiness and sadness. Some people, like me, had the eyes fixed on a glass of mojito. But all of the sudden, the nice figure of director, composer, arranger, singer and dancer David Calzado appeared to change the state of affairs.

During the formal greeting, his personal details came to my mind. He was born late in the 1950s in Havana, son of Sergio Calzado, dancer and singer of the anthological band Fajardo y sus Estrellas. David graduated as violinist, along with
Rafelito Lay (Aragón Orchestra) and Tony Calá (NG La Banda).

He was member of Ritmo Oriental Orchestra, the marvellous brass band that challenged the people’s preference to Los Van Van orchestra in the 1970s.

David started saying: “Charanga Habanera emerged in 1988, when young, talented Cuban musicians graduated from Cuban school arts got together to develop a popular music project dating back to the 1940s and 50s, to fulfil a commitment at the Montecarlo Sporting Club.”

The Montecarlo Sporting!, a place well known by Cubans, because the Lecuona Cuban Boys and the Armando Oréfiche Orchestra performed there, with such eminent musicians as Rafael Somavilla, Leonardo Timor, and Yeyo Escalante.

The project was successful for five years. During that time, La Charanga shared stages with famous musicians such as Stevie Wonder, Donna Summer, Barry White, James Brown, Ray Charles, Frank Sinatra, Charles Aznavour, Jerry Lewis, Kool and the Gang, and Whitney Houston. They also recorded their first CD with DOM.

David Calzado told me the funny paradox that though his musicians -whom he called “my niggers”- are ugly, the brass band is considered by critics “an orchestra for women.”

The band had many virtues: the mastery of its musicians, the rich polyrhythm of percussion instruments, and easy, attractive lyrics, with choruses reflecting daily life in Cuba.

The director said proudly that famous Cuban musician Formell respected him, and envisaged a future of many tours.

Then, in the middle of the conversation, someone called him and maestro Calzado apologized with a smile and headed for the stage to prepare the show. The interview would continue afterwards.

I then realized that in another table, also enjoying what was happening at Palacio de la Salsa it was the “prince of heights,” Javier Sotomayor, who was then at the peak of his career after his 2.45-meter record in Salamanca. Jorge Perugorría, the main character of the film Fresa y Chocolate, was enjoying that night as well.

La Charanga was on the stage. Singer Leo Vera started with the song Pensar en ti, by Pancho Céspedes, and continued with Tú eres. The audience was singing together, dancing, and many girls threw their brassieres at the musicians. It was a steady show that closed with Yo no camino más, popularized by América Orchestra.

David then took up the interview, and asked me: How was it?” “Awesome”, I said. He then asked Perugorría, who replied: “This is the band that gives the most for show.” So it was. La Charanga, with its spectacular choreographies, heated up the audience’s adrenaline.

I finally told him: “You all have danced all through the performance, do you do physical training?” “Yes, sure,” he said.

What will you do when you get old? Could you maintain that rhythm? “I never think I will get old,” he said with a smile.

After 15 years, La Charanga Habanera is still on the crest of the wave, with a similar spectacle, which means they will remain like that for a long while.

In 1998, it won the award for most popular Cuban band, which they preserved in 1999, 2000, and 2001, despite many tours of Japan, Europe, Mexico, Argentina, Peru, the US, and northern Africa.

La Charanga Habanera was nominated to the Latin Grammy awards in 2003 with the disc Live in the USA, and in 2005 was nominated to the Orgullosamente Latino awards (Proudly Latin awards) in three categories: best video, best album, best group.

The band has also conquered spaces in the Cubadisco and Lucas awards in Cuba.

In addition, La Charanga has won a place within the Cuban Team of Timba, along with Juan Formell and Los Van Van (Timba and songo), Adalberto Álvarez (Timba and son), José Luis Cortés and NG La Banda (Timba and jazz), Manolín, el médico de la Salsa, (Timba and rap), and Paulo FG y su Elite (Timbaand and suffocation).

Another thing: Elio Revé has been always referred to as a musician with “good touch” to attract musical personalities (Chucho Valdés, Juan Formell, Puppy Pedroso, Juan Carlos González). But such excellent musicians as Leo Vera, Michel Maza, El Bony,
Dantes Cardosa and Leoni Torres have passed through La Charanga Habanera.

Among the songs that have made this miracle possible are: El Bony está pasmao, Riki ricón, Soy cubano, soy popular, Juana Magdalena, Chico caramelo, El Charanguero mayor, El temba, La carátula, Lola Lola and Gozando La Habana, the latest.

www.bachelorpartycuba.com – Cuba bachelor and bachelorette parties

Cuba’s Tropicana celebrates 70 years of sequins and showgirls

HAVANA (AP)— When the Tropicana nightclub and casino opened its doors in a leafy Havana garden on Dec. 30, 1939, World War II was raging in Europe, Gone With the Windhad just hit U.S. theaters and a rebellious youngster named Fidel Castro had just turned 13.

So much has changed in the 70 years since — but not the Tropicana show, which offers those willing to pay the price an intoxicating peek at an era when Cuba was America’s naughty island playground, a place where nearly anything was possible, and legal.

The club marked its big anniversary this week with the same celebration of glamour and kitsch, sin and sensuality, sequins, feathers, showgirls and Latin beats that has made it one of the world’s most famous — and infamous — nightspots.

In a gala that stretched past midnight Monday, about 850 tourists, government officials and special invitees watched tributes to Tropicana legends such as Nat King Cole and Rita Montaner and listened to pulsating salsa, samba and son music. There was a big band, a contortionist act, an a-cappella rendition of The Banana Boat Song and a two-man acrobatics team in skintight leotards.

And then there were the showgirls.

Havana Tropicana

Showgirls wearing elaborate butterfly costumes; showgirls dressed up like Spanish bullfighters; showgirls sporting faux crystal chandeliers (with working lights) on their heads, gold and silver sequined string bikinis on their bodies.

It was as it has always been at the Tropicana, which bills itself as a slice of “paradise under the stars.”

The club “remains an iconic location that is known the world over,” said Maria Elena Lopez, Cuba’s vice tourism minister, who turned out for the show. “It is one of the most important tourist destinations in Cuba and … it has no equal.”

David Varela, who has been the Tropicana’s director since 2003, said the club drew a record 200,000 visitors in 2008. He expects that to drop to about 150,000 this year as a result of falling tourism amid the world economic crisis and the global swine-flu pandemic.

The club can seat as many as 1,500 people, though the normal capacity is 850. Tickets to a show cost about $80 including dinner — by far the most expensive night out in Havana. Shows start about 10 p.m. and go late into the night.

The Tropicana club was started by Italian-Brazilian show-biz producer Victor de Correa and two casino operators, but it became famous about a decade later when it fell under the sway of American mobsters Santo Trafficante Jr. and Meyer Lansky, who along with their frontmen drew big-name talent and hired the voluptuous cabaret girls known the world over as “Goddesses of the Flesh.”

Among the stars who played the main stage, under a lush canopy of trees: Celia Cruz, Paul Robeson, Liberace, Orfelia Fox, Carmen Miranda and Yma Sumac. Many nights the audience was just as famous. Marlon Brando, Sammy Davis, Jr., Greta Garbo and other Hollywood stars came to the Tropicana, making it the ideal place to see and be seen.

There was even a Cubana airlines plane with live music and a wet bar to take patrons from Miami for the show and return them early the next day.

Shortly after Fidel Castro’s 1959 revolution, the Tropicana and other famous Cuban hotels and casinos were nationalized, and many of the gaming houses, brothels and strip clubs never reopened.

But the Tropicana endured — minus the gambling — sticking with the showy costumes, cabaret dancers and exorbitant prices that it was founded on, even as Cuba embraced a new communist ethos of egalitarianism, efficiency and sacrifice.

Most of the club’s patrons have always been deep-pocketed foreigners, but some lucky Cubans were able to get in at deeply discounted prices, usually as a reward for excelling at work. The practice continued until late 2008, when President Raul Castro said the cash-strapped government could no longer afford the subsidy and others like it.

Attendance is down at the club, but Cuba’s tourism industry as a whole is strong. The government recently said about 2.4 million vacationers will visit the island by the end of 2009, up 3.3% over last year’s record — though overall industry revenues have slumped due to package deals and travelers making shorter stays.

And despite its high prices and 70-year-old act, the Tropicana still attracts a pretty big crowd.

“I couldn’t come to Cuba without seeing the Tropicana,” said Italian tourist Antonio Conti, 47, who was at the show with his wife and some friends, all of whom clapped and shouted along with the rest of the audience. “To miss this would be impossible.”

www.bachelorpartycuba.com – Cuba bachelor party

Kool & the Gang in concert in Cuba

Times LIVE:

American R&B pioneers Kool & the Gang helped Cuba get its funk on, bringing their eclectic mix of sounds to an open-air stage a stone’s throw from the sparkling waters of the Caribbean.

Robert “Kool” Bell,” his brother Khalis Bayyan, saxophonist Dennis Thomas and drummer George “Funky” Brown became one of the few U.S. musical acts to perform in Cuba in recent memory, amid Washington’s travel restrictions and the ambivalence of the island’s communist government about rock ‘n’ roll, hip hop and other kinds of American music.

“We are all about the music. We travel the world and our message is love, understanding and unity,” Bell, a singer and bass player, said before taking the stage for a performance authorized by the U.S. government. “We don’t come as politicians, we come as musicians.”

With thousands of spectators stretching down Havana’s storied Malcon coastal boulevard, the band played at the open-air Anti-imperialist Plaza, which sits in front of the U.S. Interests Section. Fans, many of them middle-aged with children in tow, danced and jumped up and down to the music while tenants in nearby apartment buildings watched from balconies.

The band heads next to Miami — where many in the Cuban-American community still hold deep resentment toward Cuba’s government.

Offering a hybrid of funk, disco, R&B, dance and soul, Kool & the Gang came into its own in the 1970s and ’80s. Its “Celebration” has been a mainstay at sports stadiums across the United States for a generation, and another hit, “Jungle Boogie” enjoyed a renaissance when it was featured in Quentin Tarantino’s cult smash “Pulp Fiction.”

The most recent show by a U.S. group was the heavy-metal band Audioslave’s thundering concert before thousands at the same amphitheater in 2005.

But most American rockers, rap artists and other musical acts have kept away. Cuban officials often cite pop-rocker Billy Joel’s indoor performance as a rock ‘n’ roll landmark in Havana, and that was in 1979.

Still, Sunday’s show was more evidence that while the Obama administration and the government of Raul Castro talk tentatively about improving chilly relations, the entertainment world is already well into a thaw.

Omara Portuondo, Cuba’s sultry-voiced diva of the Buena Vista Social Club, was granted U.S. Treasury Department permission to play U.S. concerts and recently accepted a Latin Grammy in person, while singer-songwriter Carlos Varela performed in Washington this month.

Salsa specialists Charanga Habanera have scheduled a year-end concert in Miami, and longtime island favourite Los Van Van have announced plans to put on 60 U.S. concerts in 2010.

www.bachelorpartycuba.com – Party in Cuba for bachelors and bachelorettes

Impressions of Cuba: an educated and cultured people, but a feeble economy

Minnpost.com: HAVANA — We’ll call her Elena, to protect her from retribution from her government. I don’t know if we really need to protect her, but every time we asked her a question about her life in Cuba, she looked around to make sure no one was in earshot before answering.

Elena teaches mathematics to engineering students at the University of Havana. In most poor countries, this would make her a member of the economic elite. But this is Cuba, where for the most part the people are educated, cultured, healthy, and poor.

Elena has to moonlight as a tour guide at one of Havana’s oft-visited sites so she can earn enough to pay for food and clothing. We gave her a tip of about 10 American dollars, which is the equivalent of almost a month’s pay for a Cuban worker, even a well-educated professional.

She said she lives in a very small house, where she grew up with her grandmother. It is “her house” now, in a way — she doesn’t even have to pay any rent — but she can’t rent it out or sell it. “In Cuba,” she joked, “the only place where private property is respected is in the cemetery.”

Her daughter is studying archaeology at the university, but Elena says there is no future for the young woman in Cuba. She fears her daughter will find a way to leave, and she will be alone. Other relatives of hers have gone to the United States and Europe, “but they have forgotten me.”

One story of many
We heard so many variations of her story. Angela, a 90-year-old woman, sings and plays guitar in one of Havana’s relatively few privately owned restaurants. Her face lit up when we told her we were from the United States. While we ate another of our monotonous meals, she sang ballads from Cuba and Mexico, tossed in a heavily accented “It’s a long long way to Tipperary” and ended with “Guantanamera.” She told us that because she was from an era when women didn’t work outside the home, she never worked for the government and therefore had no pension. So, at 90, she plays and sings seven nights a week, for the tips.

Angela was pregnant when Fidel Castro took power, she said. Her son studied to be an industrial engineer, and got a job in a factory. But he found he could make as much in one night playing the guitar for tourists as he did in a month doing “his boring factory job.” So he, too, plays.

It was not like this during the first three decades of the Cuban revolution, the era when Cuba — despite its fierce desire for independence — was essentially a Soviet satellite state, selling its sugar in exchange for enough economic subsidy to provide most Cubans with a decent standard of living. This gave Cuba the space to build a socialist society based on universal access to education, health care, and a vigorous arts community, with freedom defined as the opportunity to do anything that supported the revolution and nothing that didn’t. Tourism, which had been mob-dominated under Batista, was virtually non-existent. Cubans were not allowed to own dollars.

Concessions after Soviet Union’s collapse
But after the collapse of the Soviet Union, Castro had to make some concessions to keep his people from starving in the face of the relentless American economic embargo. He re-introduced tourism, using foreign joint-venture capital to begin renovating and rebuilding infrastructure (Old Havana is now an exciting area to explore), allowed some private entrepreneurship in certain categories of small business, and permitted Cubans living abroad to start remitting hard currency to their relatives on the island. It was all done reluctantly and in a very limited way, because Castro was so ideologically opposed to capitalism. Even today, nearly two decades later — with an ailing Fidel replaced by his more pragmatic younger brother Raul — “almost everyone works for the government here,” as one security guard in a hotel told us.

Even the trickle of capitalism is setting back the revolution’s commitment to equality. Revolutionary Cuba abolished de jure racial discrimination, and blacks are certainly far better off than before the revolution. But the Cubans who are fortunate enough to be getting remittances from foreign relatives are overwhelmingly white, and they are becoming a new elite. (Some, we were told, choose not to work at all, simply living off the remittances.)

“In Miramar (a higher-class suburb), all the people you see in the nice houses and the stores are white,” said a dark-skinned cab driver. “On the other hand, I could take you to an eastern suburb where the apartments are small and ugly and the people are black.”

Baseball and dominoes
In Havana, there is none of the rushing-around-of-suits-with-cellphones that you see in more financially oriented world cities, like New York or Shanghai. From 8 a.m. to 8 p.m., large numbers of men stand in a corner of the Parque Central and argue about baseball. During a rainstorm, we dropped into a recreation center in the Centro neighborhood, and saw half a dozen men playing dominoes — a Canadian in the game, in Cuba to study Spanish, told us they play all day, every day: “Before work, after work, during work.”

Though things are better than right after the collapse of the Soviet support system, getting enough to eat is a challenge for Cubans. Some foods, like rice, are rationed, and, as the same cab driver told us, “what they call a month’s ration lasts for 10 days.” You can buy more at the market, but a pound of pork, he said, costs 28 Cuban pesos, almost 10 percent of a typical Cuban’s monthly government salary.

But poverty in Cuba is different from poverty in so many underdeveloped countries.  Every few blocks, it seems, we saw schools filled with what appeared to be healthy, energetic children, and community health clinics dotted the neighborhoods. According to World Health Organization data, Cuba has lower infant mortality and a lower incidence of AIDS than the United States, and about the same life expectancy. Cuba has trained so many doctors that it exports them for humanitarian missions and trades their services to Venezuela for petroleum.

You see almost no advertising for commercial products in Cuba, but (along with billboards with political/ideological messages) you see many public-health messages, such as warnings to girls about the risks associated with teenage pregnancy. We never saw a child begging. (There were some adult panhandlers, mostly elderly people, but not as many as we see in Minneapolis.) There is a lot of prostitution, involving Cuban women with foreign men, and one way the government appears to try to limit it is by not allowing Cubans above the lobby level in major hotels.

A vibrant, sophisticated arts scene
One of the most striking ways that Cuba is not like other poor countries is its vibrant arts scene. Both artists and audiences are highly sophisticated. We were in Cuba during the Havana Film Festival, and at every theater, long lines of locals waited to get into the movies on their inexpensive passes.

Teresa Eyring, former managing director of the Children’s Theatre Company of Minneapolis and now director of the Theatre Communications Group in New York, was on our trip, and she spent the week meeting with many local artists and seeing their work.

“The place is infused with art, music, dance, painting, sculpture and theater,” Teresa told me after she made her rounds. “A distinguishing factor is the high level of sophistication of the people of Cuba. People of all ages and walks of life attend arts events. The prices are low, the work is good, and there is not so much else competing for people’s time.”

Aleigh Lewis, the filmmaker who with her husband, Sage, produced the theater/film piece that led us to Cuba for its premiere, described Cuba to us as a “meritocracy.” If you are good at what you do in the arts, you will be supported in a big way throughout your career. Some of Cuba’s best artists live in some of Cuba’s best housing, Eyring told me. “The building where Sage, Aleigh and company were staying is an artists’ high rise with sweeping views of the sea. The conductor of the orchestra lives there, and the penthouse is the home of the poet Cintio Vitier.”

Democracy seems a remote concept
So what lies ahead for this nation of highly educated, healthy, sophisticated, politically repressed, proud but poor people? Based on what we saw, it’s hard to guess how fast Cuba will change. Democracy seems like a remote concept; the Castro revolution has been very effective at applying just the needed level of repression to maintain tight control. More likely is something like the Chinese model, in which an ostensibly Communist state commits to improving its people’s standard of living, and employs foreign capital and know-how flowing through joint ventures to make it happen.

So far, of course, the capital flowing into Cuba is limited because of the decades-long U.S. economic embargo, which can make finding the simplest products a headache. Even though Castro always played up anti-Americanism to cement his position domestically, Cubans we spoke to are eager to see relations improve between their country and ours. “We are socialist and you are capitalist,” a woman bookseller in Plaza de Armas in Old Havana told me. “But we are all people, we should be friends, and we should trade.”

The dramaturg for the Lewis’ film/theater premiere, Esther Hernandez, who left Cuba for California in 2001, put it this way: “ It’s time for the old guard in both our countries to get out of the way, and let the young people create something new.”

On one level — Americans’ ability to travel to Cuba — the relaxation seems already to have begun. Under the ominously named “Trading With the Enemy Act,” it is in theory difficult for Americans to travel legally to Cuba. (Cuba is the only country currently covered by the act — North Korea was recently removed.)

You need to jump through a lot of hoops, and say different things to the authorities in the two countries (for example, the United States will approve “humanitarian” missions, but you are advised to tell the Cuban authorities that you are there for tourism). Americans must use only cash while in Cuba (American credit cards and bank cards don’t work), and not bring home any cigars or rum or anything else but artwork and publications.

This can prove to be a real burden. But the Obama administration seems to take a more relaxed view of the matter than its predecessor. When we told U.S. Customs in Miami that we had traveled to Cuba as journalists, and brought nothing home but a CD and a DVD, the official asked for no evidence of our professional work, did not check our luggage, and simply said, “Welcome home.”

www.cubaluxuryrent.com – Luxury vacation rental in Cuba

Van Van, the train of the Cuban music

Cubasi: Cubans find in Van Van a new sound, born from the mixture of salsa, changüi, rock… That rhythm next to their catchy lyrics was the result of experimentation, of the ear ready for the outer place.

After 40 years in the stages Van Van is still “eso que anda”. They don’t go out of fashion, they linger in the audience’s preference and they are the best orchestra in Cuba. It’s impossible to speak of the band without praising their songs, the seal they have left in the music of the island.

A lot has to be said about them and its founding father Juan Formell, National Prize for Music and who has Beatles as his idols as well as Benny More’s music.

The recent documentary film “Eso que anda”, produced by Ian Padron makes a summary of the history in four decades of work from the testimonies of its members: the musicians who belonged and those gone but “who are still Van Van.”

The documentary exploits all the spice and rhythm of Van Van; it could not be any another way if we are mentioning Cuba’s greatest band. You feel like rushing out to dance after watching this documentary film.

The images show the band members during the great national tour they made in 2006: great musicians who are good-natured, charismatic who walk the streets of different cities of Cuba. They interact with people, they talk and even improvise songs with local musicians spontaneously because they are an inseparable part of the people, it’s thanks to them that they exist.

Van Van’s popularity is unquestionable. During the tour thousands of people attended the squares with towering figures like 270 thousand spectators in Santiago de Cuba and 100 thousand in Guantanamo.

They were the boom of the time and they are still the best. As one of their refrains goes “There’s plenty of Van Van for a while”. On Formell’s opinion, their success is due to the communication established with dancers, in giving people what they
want.

That’s why it is said that they are the narrators of their time, that has made them legitimate promoters of the Cuban identity, and that makes of Formell a troubadour, as singer and songwriter Pablo Milanes qualifies him. José Luis Quintana (Changuito) and Cesar Pedroso (Pupy) accompanied Formell since the beginnings in the search of that authentic sound.

They coined a seal; everyone knows when Van Van is playing. They have known how to speak with each epoch; it can be noticed in the lyrics of their songs. But at the same time we can say that the orchestra’s sound has not been contaminated, it has
evolved being the same: “I am Van Van the same as always”. That stability has been possible thanks to the genius of the elders next to the youngest.

The documentary film “Eso que anda” had to be also homage to the maestro of salsa music: San Juan Formell – as some people call him -. He has the main characteristic of an artist: his people love him. That’s why they are already part of the history of all those who have listened to them, those of us who have learned to dance with them. Thanks to Formell and his musicians all those who are Cubans will always need Van Van wherever they are.

They have a spot in the hearts of all Cubans. At least I always want them to perform every January first at the Antimperialist Tribune in the Havana Seawall because that’s a fine start of the year. There’s no discussion: Van Van will

still be “eso que anda…”

www.bachelorpartycuba.com – Cuba party central

Tropicana discotheque is to open

Soycubano: GRAND OPENING of the Cuban nights at TROPICANA Discotheque (Alginet-Valence) next December 11, presenting live concert of PASCUALITO CABREJAS Y SU TUMBAO HABANA, a contemporary popular dance music orchestra composed of young talented musicians graduated from schools of art, who, to the rhythm of its contagious and rhythmical “tumbao”, will turn the TERRAZA SALSA into a unique and special option to dance salsa, bachata, merengue, son, cha- cha- cha and every rhythm that characterizes the present day Cuban music.

www.bachelorpartycuba.com – Cuba party, fiesta, night out

Follow

Get every new post delivered to your Inbox.